Showing posts with label f zuiko. Show all posts
Showing posts with label f zuiko. Show all posts

Wednesday, 22 May 2013

Legacy lens adapters

In the course of collecting these old camera, I have also collected a number of old lenses, some of which are very good.

My Olympus OM10 camera has a Zuiko 50mm, f1.8 lens which six elements in five groups and a Vivitar zoom lens (75-205mm) which has a very good reputation.  I also have another Vivitar zoom lens (20-200mm) which doesn't have quite the same reputation as the other Vivitar but performs very well nonetheless.

My Zenit E came with the famous Helios-44 which is a superb copy of the Carl Zeiss Biotar (six elements in four groups) and my Praktica LT3 came with a Meyer Optiks Domiplan which is a triplet - so not in the Zuiko or Helios-44 league but a good performer when stopped down.

When thinking about a 50mm prime lens for my Canon DSLR, it occurred to me that I already had several good  50mm prime lenses and was there any point in buying another?

With this thought in mind, I looked into buying an adapter so I could use one of my old prime lenses (it would seem that these  have morphed into legacy lenses while i wasn't looking).

First, I looked into buying an adapter for my Olympus OM lenses.   There are a number of these available and they are quite cheap.  These range from simple metal rings with an OM female bayonet on one side and an EF male bayonet on the other - these cost £2 to £3 each - to more complex adapters with electrical contacts and a chip.  this is then one I bought and it cost me £12.99 including postage.

The adapter ring is very well made out of brass which has been chrome plated.  The EF bayonet fits smoothly into the Canon digital camera and, similarly, the Olympus lenses fit smoothly into the female side of the adapter.

When the lens, adapter and camera are all fitted together, the result is snug and secure.  There is no significant play, even with the heavy and long Vivitar zoom.    The electrical contacts make contact and the camera recognises the adapter.

The point of the contacts and chip is so that the focal length and aperture of the lens can be stored in the Exif data of the resulting digital file.  th achieve this it is necessary to programme the chip on the adapter.  t5rhis is actually quite easy - but not simple as it involves quite a few steps. Once the adapter is programmed for a particular lens, it is necessary to manually set the aperture on the lens and then separately set the aperture on the camera - this aperture is then stored in the Exif data.

If accurate Exif data is important to you, this process will be worthwhile (and will be necessary to repeat for each lens you use with the adapter) but I routinely ignore Exif data so I do not bother with the process.  If, like me, you want to be simple, you just focus the lens, set the aperture (you need the camera to be in Av mode) and let the camera select the shutter speed.

The adapter works well so long as you remember the lens is entirely manual - you need to focus and set the aperture for each shot.  Given that I use fully manual cameras a lot of the time, this should be second nature, but as soon as I pick up my digital DSLR I forget to worry about focus and exposure.

My next adapter is for M42 lenses (also known as Pentax fit, although developed by Zeiss Ikon in Dresden in the 1940s).

I had two M42 lenses when I bought this adapter - the Helios-44 Biotar copy and the Meyer-Optik Domiplan.  Both screwed nicely into the adapter but there is a problem with the Domiplan lens in that it is an automatic lens - there is a pin on the lens that must be depressed by the camera just before the shutter is released in order to close the diaphragm. The adapter leaves this pin alone so the Domiplan can only be used wide open.  

Actually, while trying to get this lens to work with the adapter, I noticed that the lens has a significant fungal growth on one of the inner glass surfaces.  This lens is now in the dustbin!

The Helios-44 lens worked well.  This adapter is a simple aluminium disc with no contacts or chip sop there is no need to set anything up.  The same working method as with the OM adapter is required - focus with the lens diaphragm wide open, stop down the lens to the required aperture and let the camera sort out the shutter speed.  As there are no contacts, no lens details are stored in the Exif data.

Both adapters are easy to use and work well.  Not being interested in the Exif data, I would have been better off buying a cheaper and simpler OM adapter, but the one I did buy was certainly cheap enough.

Theoretically, as the camera is metering the light through the lens it should give the right exposure regardless of the lens used.  It has been suggested to me that TTL meters do not cope well at low light levels so will give poor exposure at small apertures.  I have not found that.  Initially, using the OM adapter with the Zuiko 50mm lens, the camera consistently overexposed at all apertures with the highlights clipping in all photographs.  The cause of this is that I was not setting the aperture on the camera as well as on the lens so the metering system assumed - incorrectly - that the lens would shut down when I pressed the shutter release.

Repeating my OM test exposures with the camera set to f1.8, the exposures were fine with the histograms coming up well to the left with no clipping.  This setting of the aperture on the camera as well as on the lens is only a problem with chipped adapters - or you can do as I now will and keep the camera set to its smallest aperture.

When using the Helios-44 with its simple adapter, the exposure histograms were well to the left and without any clipping so giving usable photographs.  This is regardless of the aperture set on the lens.  With this adapter, it is not possible to set an aperture on the camera as the absence of contacts makes the camera default to f00

Test pictures:  first, the same scene at different apertures (after these, a focal plane test).

OM adapter with a Zuiko 50mm, f1.8 lens.

 
aperture f16
aperture f5.6

aperture f1.8
M42 adapter with Helios-44 58mm, f2 lens.

aperture f16

aperture f56.
aperture f2

Focal plane test:  in order to focus on infinity, it is necessary that the focal node of the lens is the right distance from the film/sensor.  For a 50mm lens, this distance is 50mm (in some designs, the node might be in front of the physical lens).  This distance is split in two.  The first part is the film/sensor to mount distance (obviously, this never changes) and the second part is the mount to node distance.  This second part is susceptible to being changed by the adapter.  If the mount is too thin, the lens will still focus on infinity but its near focus point will be further away than intended.  If the mount is too thick, the lens will focus on nearer objects ok but will not be able to focus on infinity.  It is this last that I want to check.  I am not too bothered if I cannot focus on an object two feet away but I am very bothered about not being able to focus on infinity.  To be clear, I had better define 'infinity' - for this purpose, it is anything over 50metres away.

First the OM adapter.  The first picture is a standard scene in Lincoln.  The second picture is an enlarged crop from the centre to critically check the focus.



detail from the centre

Now the M42 adapter.


detail from the centre
You can see by comparing the two details that the Zuiko is performing better at a distance.  I think I can safely say that this lens adapter is correctly placing the lens in the mount.  The detail from the Helios-44 photograph is a lot less clear - but I cannot say if it is down to the adapter or the lens performance.  It is certainly good enough to use.


Wednesday, 14 March 2012

Olympus OM 10


Olympus OM10 front view

Excepting my Canon EOS cameras, this is my newest camera dating from between 1970 and 1988.  It is an aperture priority automatic exposure camera.  Olympus produced a manual adapter which more of later.  At this age, the camera only offers manual focussing but as I am not a fan of automatic focussing this is no big deal.

The camera is very light suggesting it has a plastic construction and so will  not be as durable as a die cast alloy camera.  It measures 136mm wide by 83 mm high and 50mm thick and weighs just under half a kilo (so is half the weight of my trusty Zenit E!).  This camera requires batteries to work.  Luckily they are not mercury cells so will still be available.

In use, one selects the required aperture and the camera selects the shutter speed.  This shutter speed is indicated by way of a red LED in the viewfinder.  As a landscape photographer, this is the way I want to work, so this is ideal.  Available speeds are 1, 2, 4, 8, 15, 30, 60, 125, 250, 500 and 1000  (all fractions of a second).  The one second setting is actually one second or longer, according to the manual.  What I do miss that more modern cameras offer is an exposure lock by half depressing the shutter release.

Available apertures depend on the lens being used.  I would have liked my 'new' OM10 to have had an Olympus 50mm lens but it came with a Vivitar 75-205 macro zoom lens.  This lens is very well thought of but its minimum focal length is too long for most work.  I have just replaced it with a Vivitar 28-200 macro zoom which does not have quite the same reputation but seems to be at least ok.

There are three controls on the top plate -

1) B-Auto-Manual
2)Film speed (ASA 25 to 1600)
3) Off-On-Self timer-battery check
Olympus OM10 top plate

1) is normally set to Auto.  B will allow the shutter to remain open while the shutter release is depressed and manual allows the manual adapter to be used.

2) sets the film speed and also allows exposure compensation of either 1, 2 or three stops each of which is available as over or under exposure.

3) is self-explanatory.  in the off position photos can still be taken, correctly exposed, but there will be no visual indication of the shutter speed.

Also on the top plate are the shutter release, film advance lever and rewind knob.  There is also a frame counter and, around the shutter release, a collar that will take the camera out of sleep mode.

The only other control is the rewind switch which is on the front of the camera just below the shutter release.  You need to turn this 1/4 turn to dis-engage the sprockets inside the camera and allow the film to be rewound.

Below the rewind switch is a light/bleeper unit.  This sounds and lights up when the control (3) is set to battery check.  If the battery is flat or missing it neither sounds nor lights up.  It also sounds and th light flashes when the self-timer is selected.  this lasts for about twelve seconds before the shutter is released.

This camera sports a 'hot shoe' accessory shoe with three contacts.  The metal sides, centre spot (x synch) and a flash charge/auto check contact.  This last designed for using Olympus's own flash units but can be used with generic flash guns in Auto mode and the manual adapter set to 1/30 seconds.

Underneath the camera are fittings and contacts for a auto winder.  It would seem that this camera will not accept a motor-drive.

Olympus OM10 underside
The last detail I shall mention is that the shutter release is threaded for  a standard cable release.

                                                                                                                                                   

The Manual Adapter

manual adapter - front
Contrary to the practice with other manufacturers there is no built in way of over-riding the automatic exposure system.  To do so, you have to buy the optional manual adapter which plugs into a jack socket on then upper left front of the camera.

Manual adapter - side
To use this, you need to set the selector (1) to manual.  This over-rides the Automatic system and allows you to set the shutter speed yourself, as well as the aperture.

I cannot quite see the point of this as it is much easier to just use the Auto mode and adjust the aperture until the camera selects the shutter speed you require.














While most cameras made since the mid-1950s have very similar controls, it helps to become used to a particular camera.  I am currently on my second roll of film in my OM10 and the camera is becoming easier to use.

One thing I am getting used to is only being able to adjust the aperture, the camera taking care of the shutter speed.  mostly, I use entirely manual cameras and I am just learning not to look for the speed selector with this camera.

I am also getting used to the split-screen focussing circle in the centre of the viewfinder.  I am actually quite happy with just a plain focussing screen but the split-screen is actually faster when I remember it is there.

I am using a Vivitar 28-200mm zoom lens with this camera which is a fairly heavy lens - it completely unbalances the light-weight body of the OM10.  It is my intention to get a Zuiko 50mm lens for this camera at some point - I mostly take pictures at the normal focal length but the camera came with the Vivitar so that is what I am using at the moment.

Apart from the unbalancing effect of the heavy lens, this is a delightful camera to use.  While there is a definite "clunk" when you press the shutter release, I suspect I am sub-consciously comparing this to the whisper of the leaf shutters in the cameras I mostly use.  It is certainly a lighter action than with my Zenit E!



18 April 2013:  update.

I now have a Zuiko 50mm Auto-s lens for this camera.  It is a solidly made lens, weighing slightly more than my new Canon 50mm lens that also has auto-focus machinery in it.  Available apertures are from f1.8 to f16 and the lens focusses from 0.45m to infinity - the distance scale is marked in metres and in feet.  The focussing ring has a nice, tactile rubber finish which will make this lens easy to use by feel.

There is a button on the side of the mount that allows you to stop the lens down to see your depth of field.  The lens is entirely mechanical - the aperture settings are fed to the exposure system in the camera by a moving nudger and the diaphragm is closed just prior to exposure by a second nudger.

To be technical, it has six elements in five groups - the previous version of this lens was marked 'f Zuiko', the 'f' indicating the number of elements (a=1, b=2 etc) but this lens is just marked 'Zuiko'.  It takes 49mm threaded filters.

I shall upload some test pictures when I have some.



Sample pictures from the Olympus OM10 with a Vivitar 70-205 macro zoom lens:

Whitby Pier

Abbey over Whitby old town
Pictures taken with the Zuiko 50mm f1.8 lens:

Some evidence of vignetting, but not too much.

Westleton church, Suffolk
Westleton church, Suffolk

Westleton church, Suffolk