orthochromatic
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sensitive to blue and green light. The name means 'correct colour'.
Orthochromatic film can be handled with a normal darkroom safe-light.
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panchromatic
|
sensitive all colours – the usual film that is currently available.
Must be handled in complete darkness.
|
PC socket
|
Prontor-Compur. Named after the two most prominent shutter
manufacturers from the mid-20th century. It is the standard connector for
flash guns found on most cameras until the Hot Shoe became normal.
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pentamirror
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a cheap alternative for a pentaprism. It does the same job for a much
lower price but does not produce as bright an image. Found on more modern and
cheaper SLR cameras.
|
pentaprism
|
a glass prism inside a reflex viewfinder that turns the image the
right way around for viewing. It is found in most SLR cameras.
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plate camera
|
a camera designed to use glass plates rather than film.
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Pressure plate
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This is a sprung plate, usually attached to the back of the camera,
that pushed against the back of the film and helped to keep the film flat
against the film gate.
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Pull developing
|
This is reducing the amount of time the film is in the developer to
compensate for the film having been overexposed.
|
Push developing
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This is extending the amount of time the film is in the developer to
compensate for the film having been underexposed. This allows the user to use
the film as if it had a higher DIN/ASA/ISO rating.
|
rapid cassette
|
An attempt by Agfa to compete with Kodak's 126 film cartridge. Film
was held loosely in the cassette and needed to be wound into an empty Rapid
cassette. Used between 1964 and the early 1990s. Almost identical to the Karat
cassette.
|
Red window
|
A small, round window on the back of a medium format camera to allow
the user to see the frame numbers printed on the film backing paper. There
may be two windows on half-frame cameras (those taking 6 x 4.5 cm negatives).
|
Reflex viewing
|
This is viewing the image through either the taking lens (SLR) or by a
secondary lens (TLR), the image seen being the exactly the same as the image
on the negative.
|
Reverse Galilean viewfinder.
|
This is effectively a small telescope as designed by Galileo used
backwards – it makes the view appear smaller so that a large scene can be
fitted into a small viewfinder.
|
rewind knob
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On 35 mm cameras, the means of winding the film back into the
cassette.
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rim-set shutter
|
On older manual cameras, the ring around the lens that is used to
alter the shutter speed. Dates from around 1930. cf Dial set shutter.
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rise and fall mechanism
|
A way of raising the lens so that a different part of the image circle
is over the negative. It is used when photographing high objects to avoid
tilting the camera.
|
Self-capping shutter
|
This is a type of focal plane shutter – the type used in all SLR
cameras. In early focal plane shutters, the shutter would stay open when
rewound meaning the film plate had to be removed first and it could not be
used for film. A self-capping shutter will remain closed while being rewound
so can be used with a plate in place and can be used for film.
|
self-erecting
|
A camera that unfolds with the lens in the correct position for
picture taking at the touch of a button.
|
self-timer
|
A device in the shutter that delays the shutter opening for ten
seconds or so. Marked as ‘V’ on German cameras.
|
shutter
|
The means of letting light into the camera in a controlled way. Either
inside the lens (leaf shutter) or in front of the film (focal plane shutter).
|
shutter cocking lever
|
On older shutters (pre-1955-ish) a lever used to set the shutter ready
for use.
|
shutter release
|
The button or lever used to fire the shutter.
|
Signal
|
some camera provide a visual signal that the film has been would on
and the camera is ready to take the next picture. Usually takes the form of a
dot by the film advance that turns red when the camera is ready.
|
SLR
|
Single Lens Reflex – a type of camera where the user views the scene through
the taking lens to give very accurate composition.
|
Split image disc
|
This is frequently found in the centre of a SLR focussing screen. It
will split a vertical line (occasionally horizontal or diagonal line) while
it is out of focus, the line joining itself at the point of focus.
|
spool
|
A wooden, metal or plastic holder for rolls of film.
|
spool carriers
|
The part of the camera that holds the spool of film either ready for
use or once used.
|
sprocket hole
|
the row of hole along the edge of film to allow the camera to move it.
In 35mm film there is a row on either edge. In 126 cartridges there is only
one row of sprocket holes.
|
Standard lens
|
A lens that approximates the angle of view of the human eye. In 35mm
photography, this is taken to be 43 mm (the diagonal of the negative). The
‘kit’ lens usually provided with 35 mm SLR cameras was 50mm. Fixed lens
cameras were usually nearer to 40mm.
|
Stand development
|
This is a technique where the film is developed with no agitation and
extending the development time to half an hour or even longer. This is useful
where the speed of the film is not known or where the user might suspect
exposure problems. It will usually produce a usable negative but not an
excellent one.
|
Stereo attachment
|
These allow the camera to produce two images on one frame of film,
each from a slightly different perspective. When the picture is viewed on a
stereoscope, the image appears to be three dimensional.
|
Sunny 16
|
A rule of thumb for estimating the exposure where no light meter is
available. The basis is to set the aperture to f/16 and the shutter speed to
the reciprocal of the film speed (ISO 50 = shutter speed 1/50, ISO 200 =
shutter speed 1/200). Works well on a bright sunny day.
|
Telephoto
|
A lens that is shorter than its focal length. The term gets used
(incorrectly) for any long-focus lens. A 300 mm lens will have the lens node
300 mm from the film. A 300 mm telephoto lens will have its node in front of
the lens – the node will still be 300 mm from the film but the physical lens
will be shorter than 300 mm.
|
TLR
|
Twin Lens Reflex – a type of camera that has two identical lenses, one
above the other. Both are focused by the same mechanism at the same time
allowing for accurate focusing but at the cost of some parallax error in near
shots.
|
tripod boss
|
A threaded hole to allow the camera to be fitted to a tripod. On older
cameras it will be either 3/8 inch or ¼ inch Whitworth thread and on more
modern cameras 3/8 or ¼ UNC thread. For this purpose, Whitworth and UNC are
interchangeable.
|
TTL
|
Through The Lens – a light metering system that measures the light
that is coming in the lens. This gives more accurate exposures than using a
hand-held light meter will.
|
Uncoupled
|
Used of light meters and rangefinders where adjusting the meter or
rangefinder gives a reading which the user must transfer to the camera lens
or shutter manually. Cf ‘coupled’
|
V
|
Vorlaufwerk which is German for self-timer.
|
vignetting
|
A darkening at the edges of the picture caused by the image circle
being too close in size to the negative – Common with cheaper lenses.
|
Waist-level finder
|
A viewfinder that is used at waist-level rather than eye-level.
Frequent on medium format cameras, particularly TLR cameras but also
occasionally on 35 mm cameras.
|
Waterhouse stops
|
a sequence of holes of varying sizes either in a line or around a disc
that can be moved in front of the lens to control the amount of light
entering the camera.
|
Wide angle
|
Used for any lens that has an angle of view greater than the human eye
– which is between 40 and 60 degrees. It is not possible to give a single
angle of view for the eye as it depends on variable factors. With 35mm
photography, wide angle starts at about 35mm focal length.
|
winder
|
a device to automatically wind on the film
|
X synch
|
This is a method of synchronising the firing of an electronic flash
with the opening of the shutter. As an electronic flash does not need time to
reach maximum brightness, the flash is fired as the shutter is fully open.
|
Zeiss bumps
|
Bumps on the outside of Zeiss Ikon cameras caused by the rivets
used to hold components together chemically reacting with the body of the
camera. This causes visible bumps under the leatherette covering.
|
zoom
|
a lens that has an adjustable focal length
|
Other pages in my blog.
Friday, 4 November 2016
Glossary of Photographic Terms (O to Z)
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